Nuestra Señora de Caysasay: The Wandering Queen of Batangas
Nuestra Señora de Caysasay |
The image of Nuestra Señora de Caysasay (or La Inmaculada Conception de Casysasay) is a statue of the Blessed Virgin Mary venerated at the Archdiocesan Shrine of Our Lady of Caysasay in Taal, Batangas. The image, which depicts the Immaculate Conception, is believed to be one of the oldest in the country, having been found in 1603 by a man fishing in the Pansipit River. The subsequent Marian apparitions documented by Spanish colonial church leaders were the first in the country; devotees today continue to attribute miracles to the Virgin.
With the prodigies the Virgin gave to the Batanguenos, she was given the title the "Queen of the Archdiocese of Lipa". The feast day of Our Lady of Caysasay is celebrated every December 8 and 9. The image spends half the week in the Shrine of Caysasay and the other half at the Basilica de San Martin de Tours, to satisfy the needs of the locals and followers.
The original condition of the image |
The wooden image, measuring about 272 mm (10.7 in), shows the Virgin as tilting slightly forward, her hands clasped across her breasts below her right shoulder. One eye is slightly bigger than the other. It was found wearing a simple, red tunic gathered above its waist that billowed into huge folds around the ankles, and clad in a green shawl.
The image of Our Lady is often identified by some Chinese Filipinos with the sea goddess Ma-cho. Both are considered emanations of each other. The image is often seen wearing a bell-shaped cape.
The report and documentation of the apparitions of 1611-1619 and 1639, are unique in Philippine church annals and it became one of the first well documented Marian apparitions in the Philippines. In those days, the country was under the autonomous Mexican vicariate; Fr. Casimiro Díaz, who reported the confirmation of the apparitions and miracles, was a deputy of the order's Mexican center.
Juan Maningkad founding the image of Our Lady of Caysasay. |
In the year 1603 in Caysasay, which was a small barangay of Taal, a fisherman called Juan Maningcad went out fishing. Instead of casting his net to the sea, he threw it into the nearby Pansipit River. When he drew in his net, he caught a small, wooden image of the Blessed Virgin Mary less than a foot high. Though waterlogged, the image had a heavenly lustre, causing the pious Maningcad to prostrate himself and pray before the statue, which he brought home.
The precise origin of the image and how it got to the river is unknown. One theory was that the image was cast into the sea off Batangas by the Spanish to pacify it during an expedition, and that it was somehow pushed upriver. Other opinions held that perhaps someone exploring the river had inadvertently dropped it, or that it came from China. News of the image began to spread until it reached the parish priest, Fray Juan Bautista Montoya, and the vicar that represented the reigning King of Spain. They went to Maningcad's house to verify the story, and upon seeing the image, knelt down and venerated it.
Facia details of the original image |
Doña María Espíritu, the widow of the town's judge, was assigned as the image's camarera or caretaker. She ordered a precious urna (a wooden, canopied shrine that sometimes has glass panes) to be made for the image and kept it in her home. Every evening, she noticed that the image went missing from its urna, but then in the morning it would be back in its usual place. Worried, the widow told the story to the priest, who accompanied her back to her house and saw that the urna was empty. The urna suddenly opened and the image appeared before them. The priest decided to gather volunteers to keep vigil beside the image, and during the night they did see the urna open by itself, and the image leaving and coming back again.
Finally, the priest decided that the villagers should now come with lighted candles and follow the image the next time it left. When this happened, the image led them to Caysasay, to the place where it was originally found. The priest decided to take the image to the Basilica of Saint Martin de Tours for safekeeping, but the image continued to leave the church until one day it disappeared and was nowhere to be found.
María Bagohin and María Talain founding the image |
Estampa of the Virgin of the Caysasay |
A series of apparitions by the Blessed Virgin Mary were first reported at the rocky hillside of Caysasay. According to a church inquiry, a vision appeared to a native servant girl, Catalina Talain, who had gone up the hillside with a companion to gather firewood and fetch some water. The unexpected vision of something small in stature but radiating extraordinary brilliance from a hollow in the rocky landscape so bewildered the girl that she ran to tell her companion, and both fled terrified back to the town of Taal, by the shore of the lake. From the cave near the spring was found the image of the Blessed Virgin—the same image that was fished out of the river almost a decade earlier and mysteriously disappeared.
Historian José M. Cruz, S.J. reviewed original microfilm documents of the inquiry into the apparitions, which he dated to 1619. He reported that Church officials interrogated Talain, but she told them she could not clearly identify what she saw. The sparseness of her report, however, convinced Cruz that Talain was not fabricating the story; he noted in his study on the events that in 17th-century Philippines, a servant girl like Talain had much to gain from associating herself with God or the saints.
Apparition to Juana Tangui
The apparition of the Lady of Caysasay to Juana Tangui was a more documented report. Fr. Casimiro Díaz, a representative of the Mexican vicar, in his 18th century Conquista de las Islas Filipinas (Part II), gave a detailed account:
In a sitio called Bingsacan, near the village of Caysasay, around 1611, the natives saw several times, mainly at night, near a river where they go to fetch water, a very great light coming from a small opening in a large rock. From a distance it shone more brightly than four giant wax candles. As they got nearer, they could hear sweet and harmonious music made by very pleasant instruments, which entranced them, not so much because they did not expect to hear music but because of the divine melody that they heard. As they approached closer, some saw a beautiful hand and arm jutting out of the opening in the rock. It held a lighted torch, which moved up and down, though it remained in its place in the opening. They watched this light for a long time, listening to music. Others saw only the great ray of light, while still others saw that above the rock, there was a very great light, and another group saw a great flame, which seemed to devour that sitio.
After this unusual phenomenon had been witnessed, which had never before been seen or heard of in that sitio, some natives, both men and women, decided to see what it really was. They saw an vision of the Virgin Mary, just a little taller than the size of one open hand from the tip of the thumb to the tip of the middle finger, dressed in white, with a crown on her head, and in her arms was the Infant Jesus, who also wore a crown. Miraculous healing powers were attributed to the waters from the spring. More than 30 people declared they saw visions of the Lady at Caysasay. Word got around and many people flocked to the area.
She returned to the area along with other prominent women. Upon their arrival at the spot, she made the girl kneel down. Juana walked further and saw a very bright light and the image of our Lady, almost two palm measurements in height, dressed in white, with a crown on her head and a cross on her forehead. The image seemed to be alive, as it was moving and blinking. When the native woman moved closer to her, the image spoke to her, thanking her for remembering her and coming back to see her. Juana declared that the apparition told her,
"You have been kindhearted to me, but unless you wear the belt of the Cofradía de la Nuestra Senora de la Consolacion y Correa, do not come back to see me, until you are a member of the Confraternity, and you wear it."
The native woman returned to the town, and did not tell anyone about what had happened until she had spoken with Fr. Juan Bautista Montoya, the prior of the Taal Convent. She asked him reverentially for the belt of the Confraternity. After spending eight days in confession, the prior gave the customary belt to her.
She returned to the place where the Blessed Virgin had spoken to her. In addition to herself, she brought with her eight or nine people, among them the wife of her master, Doña Juliana Dimoyaguín and other prominent residents, whose declarations appear in the accounts published about the event. They returned to the same place where the girl who had accompanied her the first time had knelt down. She moved forward to the same spot where she had been a few days before, and she saw once more, clearly and distinctly, the Blessed Virgin. After making a deep bow, Juana knelt in her presence.
The Virgin told her that she was much more pleased with her than before, because she was wearing the belt of the Confraternity. The devout native asked the Virgin directly what sign she should carry so that people would believe that she had spoken to and been in the company of the Virgin. The Virgin responded by asking for Juana's rosary and belt, telling her that it was a sufficient sign for her to touch them. Juana gave the Queen of Heaven her belt and her rosary, together with the rosaries that her companions had taken care to bring with them.
The Virgin accepted them and then returned them to the said Juana Tangui. The women who received the rosaries declared that the fragrance that emanated from them elevated their souls. Moreover, Juana's eyes were healed, her eyesight restored.
Deliverance of the town
By 1732, the town of Taal became the prosperous capital of the Batangas province. The town center of Taal was then located along the shore of Taal Lake (then known as Lake Bombon). Its prosperity came from provisioning the Manila galleons plying between Acapulco and Manila. These galleons also found protection from typhoons at Taal Lake, which was then saline and open to the sea through the navigable Pansipit River. They honoured the Lady of Caysasay with cannon fire as they passed in front of her shrine located close to the river.
The most violent eruption of the Taal Volcano occurred in 1754 lasting more than eight months. The ejecta from the volcano devastated the towns around the lake covering them with layers of deposits. The townspeople of Taal, together with their parish priest, fled from their capital and sought refuge at the Church of Our Lady of Caysasay. Layers of ejecta and deposits blocked the entrance of Pansipit River, which eventually raised the water of the lake, permanently flooding parts of Tanauan, Lipa, Sala, Bauan and Taal. All five towns relocated to higher ground, away from the volcano and lake.[8] The present town center of Taal was established on a hillside near the Caysasay Shrine, overlooking Balayan Bay. The townspeople believed that the image saved the town of Taal during eruptions of Taal Volcano.
The old town center is now the present San Nicolas, Batangas. Eventually, a considerably narrower and shallower Pansipit River was formed from the volcanic deposits rendering it impassable for large ships. Bombon Lake, later renamed as Taal Lake, slowly transformed from saline to a freshwater lake.
The Story of Haybing
The Virgin of Caysasay on the day of her Canonical Coronation |
The Canonical Coronation
On 8 December 1954, two hundred years after the great Taal eruption, the image of Our Lady of Caysasay was canonically crowned at the Basilica of San Martin de Tours in Taal, Batangas by Spanish Cardinal Fernando Quiroga, representing Pope Pius XII.
The Tradition of Shuttling of the Virgin
The shuttling of Our Lady of Caysasay from Labac to the basilica and vice versa became a tradition of the people. The shuttling was temporarily suspended, however when the late Rufino J. Cardinal Santos ordered the image be kept permanently in Labac which caused the people of Taal to protest and bring the case to court. It was ruled that the image be kept temporarily at the Taal Municipal Hall. It was then moved to the home of Don Gregorio Agoncillo in Manila. It was over turned by the papal order. The practice of shutting the image to between the two traditional sites was revived. Presently, the image stays at the Labac santuary from Thursday to Saturdays and at the Basilica of St. Martin de Tours from Sundays to Wednesdays.
The Well of Sta. Lucia |
This old spring-fed well where María Bagohin and María Talain saw the reflection of the Virgin of Caysasay is known as the Balón ng Sta. Lucía, which was where the public devotion to the Virgin of Caysasay was initially centered. A beautifully carved coral stone arch with a bas relief of the Virgin on the facade was constructed over the spring on the slope of a hill near the church, forming twin wells. The exact reason for St Lucy's name being attached to the spring has been lost, as was the date of its construction.
The well is accessed from the Saint Lorenzo Ruiz Steps behind the Caysasay Church. An inconspicuous narrow walkway from the Steps takes visitors to the well.
The Shrine
The Archdiocesan Shrine of Nuestra Senora de Caysasay |
The Sanctuary measures 50 metres (160 ft) long and 10 metres (33 ft) wide. Behind the main altar lies the sacristy and a stairwell that leads to the room of the Virgin where devotees could venerate. Adjacent to the church is a convent made of hew stone said to have been built also by Chinese workers.The church has been renovated ever since, A coat of stucco cement was applied to the front wall and o the towers. The stone and brick wall was scrape clean to reveal it original color. The Shrine was later granted a Spiritual Bond of Affinity with the Major Basilica of Sancta Maria Maggiore in 2009.
After years being kept by the former Archbishop of Lipa - Archbishop Emeritus Ramon Arguelles. the original image of the Virgin of Caysasay was returned to her home in 2017 and the news spread like wildfire, more pilgrims and devotees flocked her shrine and several miracles were duly reported through her intercession.
Upon closer look, it is amazing how Our Lady has blended beautifully in the town's landscape and history. Known for the world's smallest volcano, the town of Taal also houses a small miraculous image of Our Lady that has survived centuries. During the violent volcanic eruption in 1754, it was to the Shrine of Our Lady of Caysasay that the people of O1d Taal sought refuge. After that, it was around her that a new town, the present one, arose. Our Lady also has her imprint in the town's colorful history; the Caysasay phenomenon is in the historical records of the Augustinians who were assigned there, among others.
The story of Mary in Caysasay is Mary in her best element: silent, hidden, and reaching out to people like Juan Maningcad and Hay Bing who are the last and the least in this world. It gives us a lot of comfort.
Hi, can I ask more questions about Our Lady of Caysasay? Thanks.
ReplyDeleteYour blog about is informative.
I'm very happy because in my family is blest to our mother Mary of caysasay she always guide us and protect us
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